Wednesday 29 August 2018

Nu Colours - What In The World / Greater Love - (1993)

Polydor/Wildcard, CARDD 4

What_In_The_World_Cover_large_12cm

Another 320kbps re-up!

I'm going to start this off with a complaint: WHAT THE HELL WERE POLYDOR/WILDCARD THINKING MAKING GREATER LOVE A B-SIDE????!?!?!?

It's got classic stamped all over it, and, if only it had been supported and marketed it could well have made a decent splash on the pop charts, and seen the band get a bit more recognition than they did. It's an incredibly strong song, it's got beautifully sung vocals, and a nice, slinky, urban groove to it courtesy of producers par excellence Ethnic Boyz.

I honestly believe this is one of the UK's finest soul moments.

Not that there's anything wrong with the main track, What In the World. It's a really nice guitar driven piece of soul, produced by a certain Robert Howard of The Blow Monkeys fame (thanks for the confirmation, Frank). I always loved Wait his duet with my namesake, Kym Mazelle.
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There's a third track (fourth, if you count the Greater Love Remix - more on that in a moment) called Want Your Love 2 B Mine, which is a perfectly decent backup track, but with such a good main track in What In The World, and an even better one as the "B-Side", if you will, in the shape of Greater Love, it's easily forgotten.

As mentioned, there's also an Ethnic Boyz remix of Greater Love, which is odd really, as they produced the original version, and it's fairly similar, just a touch more dubby. I prefer the original, but it's nice to have for completions sake.

So there you have it, one of my all-time favourite tracks, as a bloody B-Side! Amazing.

- Kymba :)

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Tracklist
  1. What In the World 
  2. Greater Love 
  3. Greater Love (Ethnic Boyz Remix) 
  4. Want Your Love 2 B Mine 
Download: NC-WITW-GL.7z File size: 38.1 MB

En Vogue - Hold On (1990)

Atlantic – A 7908 CD, WEA International – 7567-86178-2-LO, 1990

EV_Hold_On_front

Another re-up in 320kbps!


I throw the word 'classic' around a lot in my write-ups, but I'm sure you will agree that this track is the very definition of the word.

I'm also quite sure you know all about En vogue already, but, if not, here's a bitesize guide: They're a Grammy-nominated R&B girl-band Assembled in Oakland, California, USA in July 1989 by producers Denzil Foster and Thomas McElroy, formerly of Club Nouveau (Mick has already given us the lowdown on Foster & McElroy and Club Nouveau here.). En Vogue launched with original members Cindy Herron, Maxine Jones, Dawn Robinson (who left in 1997 & went on to form Lucy Pearl with Raphael Saadiq & ATCQ's Ali Shaheed Muhammed) and Terry Ellis. They sold over 28 million albums and singles worldwide, and have won more MTV Video Music Awards than any other all female group in MTV history, a total of 7 VMAs. The group was named the second most successful girl group of the 90's and the 18th most successful act overall of the 90's according to Billboard magazine.


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Hold On starts strong with the girls giving us a wicked rendition of The Jackson 5's Who's Lovin' You, showcasing each girls soaring vocals and the beautiful harmonising of the group as a whole. It gets better when the beat drops and suddenly we have an absolutely banging tune built on a loop from James Brown's beyond dope The Payback, over which the girls can strut their stuff and dispense beautifully sung knowledge and advice on keeping your man.

You know this tune, and you sure don't need me to tell you about it. There are three mixes on the CDS, not really a lot to pick from between them, but the extended version is worth the entry fee alone, as, unlike the other two versions, it hasn't featured on a million and one R&B compilation albums.
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Last bit of trivia about this particular release: The inlay card was misprinted with details of a release called Nationwide Television by a Tony Baez (see above). Weird.

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Tracklist

  1. Hold On (7" Edit) 
  2. Hold On (Extended Version) 
  3. Hold On (Radio Version With Intro) 
Download: EV-HO.7z Filesize: 43.2MB

Tuesday 28 August 2018

Teddy Riley Featuring Tammy Lucas – Is It Good To You (1992) (UK & US CD Singles)

SOUL Records, MCA Records – MCSTD 1611
Teddy_Riley_Tammy_Lucas_Is_It_Good_To_You_Front

This is another pre-existing Soul Vendor post that I am updating with 320kbps rips goodness. I'm also making this a double post with both the UK 
CD Single and the US promo releases. Don't say I'm never nice to you. ;)

Anyway...

The soundtrack album for seminal Hip-Hop movie Juice was overflowing with dope tracks from various artists like EPMD, Naughty By Nature, Big Daddy Kane and others. It really is up there with the greatest urban soundtrack albums. Leading the way in terms of single releases were Aaron Hall's superb Don't Be Afraid as posted previously, alongside this monstrous cut.

Is It Good To You is a reworking of a tune of the same name that TR produced for the late great Heavy D a year before. That song featured the bassline from Junior Giscombe's 'Mamma Used To Say', and, coupled with Heav's quality rhymes, made it a song of some note. Forward on a year and Teddy hooked up with long term collaborator, the honey voiced Tammy Lucas to rework the song into a fully fledged New Jack Swing masterpiece.

It's a real shame Tammy Lucas never blew up in her own right. I always loved her voice; she sounded damn near angelic, sung with real style, and stole the show whether guesting on the brilliant 1nce Again by A Tribe Called Quest, or Blackstreet's Tonight's The Night (both of which I will be adding to this site in the coming weeks). Frank/Windowlicker mentions in the older post's comments section reading an interview with her where she mentions that, as a plus sized woman, the record company didn't know how to market her, and so she went into writing rather than being an artist herself. What a superficial world we live in; hypocritical, too, with Heavy D's larger size being perfectly acceptable.

This release, then, is a nice reminder of a wonderful soul singer who never quite got her due.

There are six tracks on the UK single, most of them sound almost identical barring one or two slight differences in the arrangement, so I will let you judge which is the best. However, the Acapella might be of interest for you mixologists. For me, much like Aaron Hall's Don't Be Afraid, it's the album version featured on the Juice OST, conspicuous by its absence, which is best, so I've included it as a bonus track. 



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Teddy_Riley_Tammy_Lucas_Is_It_Good_To_You_CD

UK CD Single tracklist
  1. Is It Good To You (On The Radio Mix)
  2. Is It Good To You (Acapella) 
  3. Is It Good To You (Hip Hop Mix) 
  4. Is It Good To You (In The Clubs Mix) 
  5. Is It Good To You (Lucasade Mix) 
  6. Is It Good To You (Instrumental)
Download link below.

Teddy_Riley_Tammy_Lucas_US_Cover 

And here is the US release for sake of completion, which contains Percapella and Bonus Beats versions not available on the UK disc. I don't have the actual CD to hand at the moment to scan the artwork, so cover and CD courtesy of Discogs. :)

If you appreciate this post, or have great memories of it then please leave some love in the comments section. This track deserves it.

Peace and love x


US promo CD tracklist 
  1. Is It Good To You (7" Mix) 
  2. Is It Good To You (12" Mix) 
  3. Is It Good To You (Hip Hop Mix) 
  4. Is It Good To You (Instrumental) 
  5. Is It Good To You (Percapella) 
Download: TRTK-IIGTY.7z Filesize: 149.8MB

Thursday 23 August 2018

Big Daddy Kane - Ain't No Stoppin' Us Now (1989)

Cold Chillin' ‎– W 2635T





Here's a quick and dirty post of an utterly brilliant 12".

Apologies upfront as this is a vinyl rip, and while my rip is great, I no longer have access to to the large scanner I used to use, so I've had to borrow an image from Discogs.

The audio rip itself is particularly good. It's a 320kbp rip of a treasured slice of wax. Being a bit OCD I used to tape record my 12" records as soon as I bought them, and then leave the 12" alone, meaning there are very few pops and crackles. It sounds almost like a CD rip.

Anyway, about this tune. The original is okay, but far from Kane's greatest track. However, the two Brixton Bass remixes here (track 1 'Brixton Bass Mix; and track 3 'UPSO Mix' are phenomenal and really elevate it. 

The pick of the bunch is the titular Brixton Bass mix, with it's sweet and slick production. This mix transformed it into a smooth summer jam you can bump in your whip to this day and it sounds pretty damn fresh still, and, aside from Kane mentioning the year on a couple of occasions, has aged like a fine wine. I absolutely adore this track!

In addition to the quality of the main remix, the UPSO Mix is really good, too. Yeah, it may not be quite as amazing, but the tougher sounding UPSO Mix is still way better than the original and flexes its muscles with a lovely reverse JBs/The Grunt loop, and will satisfy the street crowd.

All in all, this is a pretty essential release, especially if, like me, you adore Big Daddy Kane.

Tracklist
  1. Ain't No stoppng Us Now (Brixton Bass Mix)
  2. Ain't No stoppng Us Now (LP Version)
  3. Ain't No stoppng Us Now (UPSO Mix)
Download: BDK-ANSUN.7z | Filesize: 31.3MB

Tuesday 14 August 2018

Omar - Keep Steppin' (1994)

RCA Records 74321233672



So, the 12" of this was posted previously by Mick, but this is a new 320kbp rip of the two CD singles, with freshly scanned artwork, so I figured I'd put up a new post.

I love the positive lyrics in this track. Check them out:

Keep Steppin’
O. Lye-Fook/D. Frank
When you’re walking talking steady you're ready,
To be dealing with your own inhibitions,
If I told you so you’d never believe me,
That you yourself must make those crucial decisions
It’s never too late, To do what you want,
Things can go right, You’ve got to be strong
Don’t be bullied in your own little corner,
Weigh up your principles with dignity and honour,
We all have our own ways of moving,
Sometimes the other people can’t see that we’re grooving

Repeat chorus
Keep on steppin' heads up up don’t worry,
You get yours i get mine to the next story,
Pick up the pace blackness in your face,
So much flava with my very own taste,
Giving it all ’cause it’s all that i'm giving,
Now who can stop me from my choice of living,
Politics hurts in a life that costs,
Concrete is down and my advice is step off
Give me something that makes it worth me living,
Want some mountain air ’cause i don’t care, For this pollution I am breathing,
Gonna let go of this excess baggage i am carrying,
I'm gonna reach so high it feels like i am truly truly flying
Repeat chorus
I ain’t so old to learn something new,
Too blind to see, Too deaf to hear,
Too dumb to understand the truth,
When will we all learn,
So we can all use, The wisdom for a greater meaning
Co-produced by Omar and David Frank for Muso Music Inc.
Omar .. vocals, keyboards
Dave Frank .. Keyboards, programming
Concrete .. rap

Mick said: "A collection of mixes on this '94 CD Single from RCA. The original release is backed up by the Uptight Remix by Rodney Hunter (Moreaus) & Demon Flowers (Werner Geier of Kruder & Dorfmeister). It features additional vocals from Leena Conquest (Boundaries).

Next up comes from Gang Starr's DJ Premier and features Uptown (Dope On Plastic). Last but not least, we have two mixes from London's Ghetto Lab featuring Darkman with his own inimitable rap style. The last mix is an Acapella featuring Darkman. No unreleased tracks though, which is a shame but then what do you want for £3."


Kymba says: CD1 is a suite of mixes. As a big fan of Gang Starr and DJ Premier, it's no secret that I love his mix. The main melody is sampled and cut up from Bob James' Touchdown, sample spotters.  The Ghetto Lab Mix is a typical Darkman affair and pretty dope. The Ghettapella will be of use to you mixologists, too.

However, for me, it is the Uptight Remix (featuring Leena Conquest blessing us with some sultry backing vocals) that towers above the other versions. It's funkier, punchier and really brings that funk out of Omar's original vocal recording. The fact that there's a Skull Snaps/New Day breakbeat in there helps. Man, I love that break! This is the mix I bought the CD for back in the day.

CD2 has the LP version of Keep Steppin', backed up with Omar's biggest cut, There's Nothing Like this and topped off with a beautiful duet with Carleen Anderson of The Young Disciples.

This 2 disc set is a great release, so get it while it's fresh!

Tracklist CD1

  1. Keep Steppin' 
  2. Keep Steppin' (Uptight Remix featuring Leena Conquest) 
  3. Keep Steppin' (DJ Premier Mix featuring Uptown) 
  4. Keep Steppin' (Ghetto Lab Mix featuring Darkman) 
  5. Keep Steppin' (Ghettapella featuring Darkman) 


Tracklist CD2
  1. Keep Steppin' 
  2. There's Nothing Like This 
  3. Who Chooses The Seasons (Duet featuring Carleen Anderson) 


Download here: O-KS.7z | Filesize: 78.3 MB

Monday 13 August 2018

Omar - For Pleasure (1994)

BMG ‎– 74321208532, RCA ‎– 74321208532


Omar_For_Pleasure_OFC

Listen, before I start the review proper I feel the need to preface it with the following: we're not in the business of posting up entire albums on the Soul Vendor. We're all about venerating certain artists and primarily posting dope CD Singles containing mixes that, criminally, would be otherwise lost to time.

However, this album is special and deserving of veneration. It's out of print and only available on the secondary market, often for silly money (I'm looking at you Amazon third party sellers). Please do all you can to support the artist if you dig his work. Omar is the very definition of "legendary" and is one of the rare UK soul artists who had a very palpable influence on the US artists, essentially creating "neo soul" before it was even a thing.

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Omar released For Pleasure back in July 1994 to widespread acclaim. Known mainly for the super-smooth joint There's Nothing Like This and the fabulous Your Loss My Gain, this time around Omar dropped an absolute BOMB of an album in For Pleasure which had a lot more swagger about it. The production had a touch more of the hiphop about it, and the tracks, for my tastes, were of a higher standard.

The first track proper, I'm Still Standing, is as infectious as the flu, and a great way to kick things off. I love how Omar plays those keys - it really makes me regret dropping my piano lessons! Next up is Saturday, probably my favourite cut off the album. That Monstrous bassline had me at first listen. Keep Steppin' is dope with its positive lyrics, but I preferred the Uptight Remix on the CD SingleOther choice cuts would be Need You Bad, Confection, Making Sense Of It with its square synth bass lead and the title track For Pleasure, in which Omar sounds like he's channelling Stevie Wonder on those keys!



For Pleasure remains a gem in the crown of UK soul and, for me at least, a true seminal moment. I hope it brings you as many eargasms as it did me.


Tracklist
  1. My Baby Says
  2. I'm Still Standing
  3. Saturday
  4. Keep Steppin'
  5. Magical Mystery Interlude
  6. Outside
  7. Little Boy
  8. Need You Bad
  9. Can't Get Nowhere
  10. Confection
  11. Magical Mystical Way
  12. Making Sense Of It
  13. For Pleasure
Omar_For_Pleasure_CD

Download here: O-FP.7z | Filesize: 118MB